Chin Pang LEI 李 展 鵬


Assistant Professor

Administrative Roles

  • Master Programme Coordinator (Macao Studies)
  • Chair, Internship Sub-Committee, Department of Communication
  • Member, Departmental Executive Committee, Department of Communication
  • Member, Undergraduate Steering Committee, Department of Communication

Academic Qualifications

  • BA in Journalism (ChengChi University, Taiwan)
  • MA in Modern and Contemporary Chinese Literature
    (Sun Yat-Sen University, Mainland China)
  • PhD in Media and Cultural Studies (University of Sussex, England)

Research Area

Chinese cinema, popular culture, gender studies, media studies, post-colonial culture, urban studies

Publications

Authored Books

  • 李展鵬,《夢伴此城:梅艷芳與香港流行文化》 [Dream and the City: Anita Mui and Hong Kong Popular Culture],香港:三聯,2019
  • 李展鵬,《隱形澳門:被忽略的城市與文化》 [Invisible Macau: The Ignored City and Culture],台北:遠足文化,2018
  • 李展鵬,《在世界邊緣遇見澳門》[Encountering Macau at the Edge of the World],澳門:澳門日報出版社,2013
  • 李展鵬,《旅程瞬間》[The Moments on Journeys],澳門:澳門日報出版社,2007
  • 李展鵬,《電影的一百種表情》[One Hundred Expressions of Films],澳門:澳門日報出版社,2004

Edited Books

  • 李展鵬編,《香港電影2019:時代影像》[Hong Kong Cinema 2019: The Images of the Era ],香港:香港電影評論學會,2020
  • 林正尉、熊遠健、李展鵬編,《共生此城:東南亞及南亞人在澳門》[Coexist in the City: Southeast Asians and South Asians in Macau],新生代青年文化會,澳門,2018
  • 謝嘉豪、李展鵬編,《舞蹈年鑑2014》[Macau Dance Annual Report 2014],澳門:澳門文化局,2016
  • 李展鵬、湯梅笑、楊穎虹、廖子韾及盧傑樺編,《書寫我城: 澳門文學補充教材》[Writing Our City: A Supplementary Teaching Materials of Macau Literature],澳門:澳門教青局,2015
  • 李展鵬、卓男編,《最後的蔓珠莎華: 梅艷芳的演藝人生》[The Last Cluster Amaryllis: Anita Mui’s Art and Life],香港:三聯,2014
  • 李展鵬、卓男編,《最後的蔓珠莎華: 梅艷芳的演藝人生》[The Last Cluster Amaryllis: Anita Mui’s Art and Life],北京:三聯國際,2014

Journal Articles

  • C.P. Lei (2021)“’Indecent’ Women and Gendered Memory: Reflective Nistalgia in Hong Kong Cinema” in Asian Journal of Communication, DOI: 10.1080/01292986.2021.1913617 (SSCI)
  • C.P. Lei (2019)“I Hate to Pull a Bullet out of My Body”: Crisis-Ridden Men and Postcolonial Identity in Wong Kar-Wai’s Cinematic Hong Kong” in Interventions: International Journal of Postcolonial Studies, 21(3). pp. 407-422 (SSCI)
  • 李展鵬,<香港有個黑社會:香港黑幫片中的政治意識>,《電影欣賞》,2016年7月(第168-169期合刊)
  • 李展鵬,<回歸十年,影像沒有缺席:澳門的獨立電影>,《藝術評論》,北京,2010年4月(年度第四期)(CSSCI)

Book Chapters

  • C. P. Lei (2020), “Spatial Politics in an Eastern Casinopolis: Urban Space, Power and Resistance in Macau”, in M. U. Ieong ed., Macau 20 Years after the Handover: Changes and Challenges under “One Country, Two Systems”, London: Routledge
  • 李展鵬: <「人生客路永沒平:許鞍華的旅程電影與香港意識>,《許鞍華電影四十》,卓男、吳月華編,香港:三聯,2018,頁46-58
  • 李展鵬:<在城市犯罪,在江湖闖盪:林青霞在王家衛電影中的性別形象>,《雲外笑紅塵:林青霞》,李焯桃、陳志華編,香港:香港國際電影節, 2018,頁88-93
  • 李展鵬:<用二十年了解一種電影:我對主流港片的懺悔錄>,《戀戀光塵:我和電影的二三事2》,張偉雄編,香港:香港電影評論學會,2017,頁38-55
  • 李展鵬:<梅艷芳:從藝人變成文化符號>,《群芳譜:當代香港電影女星》,卓男、蒲鋒編,香港:三聯書店, 2017,頁102-113
  • 李展鵬,<如何成為文創之城:澳門文化政策與文化產業發展趨勢>,《澳門經濟社會發展報告2013-2014》,吳志良、郝雨凡編,北京:社會科學文獻出版社,2014,頁203-214
  • 李展鵬,<十年澳門,影像沒有缺席:澳門的獨立電影>,《澳門人文社會科學研究文選(2008-2011)》,《澳門人文社會科學研究文選》編委會編,北京及澳門:社會科學文獻出版社及澳門基金會,2012,頁787-794
  • 李展鵬,<在賭場旁邊栽種藝文: 澳門藝術文化發展報告>, 《澳門經社會發展報告2008-2009》,北京:社會科學文獻出版社,2009,頁330-341
  • 李展鵬,<我們的天空, 我們的城市文化: 澳門天際線的空間意義>,《城市文化形象的塑造》,梁惠英、趙家權編,澳門:澳門基金會,2007,頁117-122

Conference Papers/Presentations

  • <回憶總是流動的:許鞍華的旅程故事、微觀歷史與香港意識>,台灣文化研究年會,台灣交通大學,台灣,10/3/2019
  • “Genres as Time Machines: Alternative History in Hong Kong Cinema”, ACCS (The Asian Conference on Cultural Studies) 2018, Kobe Art Center, Japan, 3/6/2018
  • <香港是個黑社會:港產黑幫片的政治意識>,台灣文化研究年會,台灣大學,台灣,10/3/2018
  • “The Subversion of Masculine Genre and the Writing of Post-Colonial Identity in Hong Kong Cinema”, ACCS (The Asian Conference on Cultural Studies) 2017, Kobe Art Center, Japan, 3/6/2017
  • <四個葉問,三種香港身份:從葉問電影看港片的身份認同與歷史意識>,台灣文化研究年會,台灣淡江大學,台灣,11/3/2017
  • <香港『神獸』路姆西:網路公共領域的髒話文化>,新傳播、新主體與新公民社會國際研討會,台灣師範大學,台灣,17/10/2015
  • “Is 2046 a Year or a Room? Nostalgia, Spatialization of Time and Alternative History in Wong Kar-wai’s Films”, MeCCSA (Media, Communication and Cultural Studies Association) PGN Conference, University of Coventry, UK, 02/07/2015
  • “Nationalism and Its Discontents in Hong Kong Cinema: Four Films about the Kungfu Master Ip Man”, FILM AND MEDIA 2014: The 4th Annual London Film and Media Conference, Institute of Education, University of London, UK, 28/06/2014
  • “Cultural Politics of Hybridity: Anita Mui and Post-colonial Hong Kong”, The 10th Crossroads in Cultural Studies Conference, University of Tampere, Finland, 03/07/2014
  • “Questions of Stardom and Gender in Post-Colonial Hong Kong Culture: Anita Mui”, FILM AND MEDIA 2013: The 3rd Annual London Film and Media Conference, Institute of Education, University of London, UK 28/06/2013
  • “Women in the Mood for Travel: Gender and Mobility in Wong Kar-wai’s Post-colonial Hong Kong “, The 9th Crossroads in Cultural Studies conference, Sorbonne University, France, 05/07/2012
  • “Male Crisis and Post-Colonial Identity in the Films of Wong Kar-wai” , The Second Annual London Film and Media Conference, Institute of Education, University of London, UK, 23/06/2012
  • “Good Girls Go to Heaven, Bad Girls Go Everywhere: Travelling Women in Wong Kar-wai’s Globalized and Post-colonial Hong Kong”, The Asia Cinema Studies Society Conference, University of Hong Kong, Hong Kong, 19/03/2012
  • “Nostalgia, Temporal Others and Cultural Resistance: Cinematic Narration of Alternative History in the Films of Wong Kar-wai”, The 1st Annual London Film and Media Conference, the Institute of Education, University of London, UK, 14/07/2011
  • “Traveling Women: Gender and Space in Hong Kong’s post-colonial Culture”, MeCCSA (Media, Communication and Cultural Studies Association) PGN Conference, University of Glasgow, UK, 01/07/2010
  • “In the Mood for Travel: Mobility in Wong Kar-wai’s films”, The Mobility and Creativity Conference, the University of Surrey, UK, 04/07/2009
  • “Spatial Others in Wong Kar-wai’s films and Hong Kong’s Post-Colonial Culture”, The MeCCSA (Media, Communication and Cultural Studies Association) PGN Conference, University of Bangor, UK, 09/07/2009
  • “Skyline and Power in Macau”, Cross-Current Interdisciplinary Conference, The University of Sussex, UK, 05/07/2007
  • “Instable Space and Identity Crisis in Hong Kong Cinema”, MeCCSA (Media, Communication and Cultural Studies Association) PGN Conference, University of Ulster, UK, 23/07/2006
  • “Colonial and Post-colonial Culture in Wong Kar-wai’s Films”, The Post-colonial Conference, University of Sussex, UK, 05/2006

Professional Consultancy and Community Services:

  • A jury member in the NETPAC (The Network for the Promotion of Asian Cinema) section of the Taipei Golden Horse Film Festival in 2016 [台灣台北金馬影展奈派克獎評審]
  • A jury member in the Chinese Film Media Awards (Guangzhou, China) in 2012, 2014 and 2017 [中國大陸華語電影傳媒大獎評審]
  • A jury member in the competition section of the Taiwan International Queer Film Festival in 2015 [台灣國際酷兒電影節競賽項目評審]
  • A jury member in the competition section of Chinese language films of the Taiwan International Documentaries Films Festival in 2014 [台灣國際紀錄片影展華語競賽項目評審]
  • A consultant in the Research Centre for Sustainable Development Strategies of the Macau SAR government from 2007-2011 [澳門特區政府可持續發展策略研究中心非全職顧問]
  • A consultant in the Committee of Cultural Industries of the Macau SAR government from 2009 –2014, 2017- present [澳門特區政府文化產業委員會委員]
  • A consultant in the Cultural Consultative Council of the Macau SAR government from 2014 – 2019 [澳門特區政府文化諮詢委員會委員]
  • A commentator in a television program “Feng Fuo Tai” of the local TV station TDM from 2007- 2013 [澳門電視台時事評論節目《風火台》嘉賓評論人]
  • A commentator in a radio program “Macau Forum” of the local TV station TDM from 2013 – present [澳門電台時事評論節目《澳門廣場》嘉賓評論人]
  • A columnist for a HK newspaper Ming Pao from 2019 – present [香港《明報》專欄作者]
  • A columnist for a local newspaper Macao Daily from 2011 – 2016 [《澳門日報》專欄作者]
  • A columnist for a local newspaper Exmoo News from 2011- 2013 [澳門《力報》專欄作者]

Invited Talks

  • “Genres as Time Machines: Alternative History in Chinese Cinema”, in Chengchi University, Taipei, 05/12/2019
  • “明星、性別與香港身份:解讀梅艷芳”, in Chengchi University, Taipei, 06/12/2019
  • “愛恨香港:澳門身份的香港元素”, in The Education University of Hong Kong, Hong Kong, 17/5/2019
  • “A City Gazed by the Tourists: Urban Space in the Casino City Macau”, in Webster University (Thailand Campus), Bangkok, 02/02/2017
  • “A Legless Bird: Physical Mobility and Fluid Identity in Hong Kong Cinema”, in Webster University (Thailand Campus), Bangkok, 31/01/2017
  • “五個葉問,五種香港:從五部葉問電影看港片的生存策略與文化意識”, in Fu Jen Catholic University, Taipei, 01/06/2016
  • “在賭場旁邊栽種文化:談澳門本土創作”,in Dong Hwa University, Hua Lien, 05/05/2016
  • “用身體超越國族:梅艷芳與張國榮的流行文化政治學”, in Chung Hsing University, Tai Chung, 12/04/2016
  • “香港的蔓珠莎華: 梅艷芳與港式流行文化” in The University of Hong Kong, Hong Kong, 22/04/2015

Current Courses

  • Global Media Studies
  • Introduction to News and Journalism
  • Cinema Studies
  • Popular Culture and Communication
  • Creative and Cultural Industries: A Media Studies Approach (MA)

Previous Courses

  • Media and Current Events
  • Introduction to Mass Communication
  • Chinese Journalistic Writing and Reporting
  • TV Playwright
  • Society & Politics of HK, Macau & Taiwan
  • Communicating in the Global Society
  • Global Media Studies
  • Field Internship
  • Workshop: Chinese Publication
  • Macau’s Political-Administrative System II

Contact Details

Faculty of Social Sciences (FSS)
Humanities & Social Sciences Building (E21B), 2057
Phone: (853) 8822 8986
E-mail: cplei@um.edu.mo